A sexual remark is made regarding a Catholic priest. A married couple are briefly seen having sex-we see non-explicit views of them embracing. A man holding a woman hostage implies she should provide sexual favors (she doesn’t). Sexual Content: A character suggests another character perform a sexual act on an animal. Indigenous African people are rounded up and put on vessels and trains for the purpose of being sold as slaves. In the opening moments of the film an ill mother dies, a father is beaten to death by apes, and an infant is captured by the animals and raised as their own-this sequence may be particularly frightening for young children. A man is assumed to eaten by a crocodile (unseen on screen). A huge herd of animals stampedes through a community, knocking down people and buildings-we see one a secondary character being trampled.
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A woman is captured, threatened and detained in handcuffs at one point her male captor vaguely implies he would like sexual favors from her. A key character is shot off-screen, a secondary character’s ear is shot off on-screen-we see a very brief view of the injury.
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A man enters a moving rail car full of soldiers and begins killing, throwing and injuring them. A character specializes in choking others-we see this occur on various occasions. A group of soldiers indiscriminately shoot at indigenous people whom we later see lying dead on the ground. Conflicts involve various weapons including guns, spears, arrows, knives and hand-to-hand combat, however little blood or detail is seen.
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Violence: Many scenes depict humans and animals in perilous situations. Why is The Legend of Tarzan rated PG-13? The Legend of Tarzan is rated PG-13 by the MPAA for sequences of action and violence, some sensuality and brief rude dialogue. Starring Margot Robbie, Alexander Skarsgård, Samuel L. Visually compelling and directed with a keen technique for telling the present day story intercut with Tarzan’s backstory, The Legend of Tarzan is a reasonably solid concoction that blends romance and action with a dash of history. A few mild and scatological profanities are included as well. This, along with a brief and non-detailed sexual interlude between a husband and wife, and a handful of other crude comments, are the extent of the movie’s sexual content. He implies he would like more from her than just a lure for his prize. While she’s eager to offer verbal blows, she is nonetheless at the mercy of various men, the most notable being Rom. Tarzan has the ability to take on a legion of attackers with his bare arms, tossing them hither and yon. Animals and humans are mowed down with guns, spears and arrows.
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With this much conflict it’s no surprise the resulting violence is frequent and likely to be disturbing to young viewers. This retelling is far more intense and, despite Jackson’s witticisms, deals with subtopics of genocide, racial prejudice, animal harvesting and the aforementioned slavery. Parents who have fond memories of Tarzan in animated form should flush that Phil Collins’ song and dance show from their minds. Jackson playing an American humanitarian sent along for the ride to investigate if the Belgians are capturing African slaves (yes they are) and to act as a jungle neophyte next to our hero. In case this setup sounds to serious, the screenwriters offer comic relief in the form of Samuel L.
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So Rom kidnaps Jane, convinced her husband will come running. Of course if you wish to catch something a little bait is helpful. Looking like a hit man on an African Safari, the white suited thug promises to catch and deliver Tarzan to the indigenous group in exchange for access to a lucrative stash of diamonds found on the tribal lands. He sends his right hand man Leon Rom (Christoph Waltz) to work a deal with the chief of the Mobolonga (Djimon Hounsou). The story is set in the Belgian Congo, when the unseen, off-shore ruler King Leopoldo II, is drowning in debt. And that brings me to Jane (Margot Robbie), the eye candy for the men, whose blonde ambition extends to swimming with the crocodiles and coming to shore with her dress still looking better than my shirt after a short haul flight. Producing a noticeable gasp from the females in my screening audience after removing his shirt, this vine swinger seems poised to keep romance and action seeking movies goers happy. Alexander Skarsgård plays the unbelievably buff King of the Jungle – so buff I’m wondering if a few CGI dollars weren’t spent chiseling his six-pack. Put late twentieth century history into a blender, add an abdominizer, and you might end up with something similar to the Legend of Tarzan.